In Don’t Let’s Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with candor and sensitivity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and so...(展开全部)

Illuminating the dark side of the American century, "The Monster Show" uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements. With penetrating analyses and revealing anecdotes, David J. Skal chronicles one of our most popular and pervasive mode...(展开全部)

A serial killer is burning people alive in the Lake District's prehistoric stone circles. He leaves no clues and the police are helpless. When his name is found carved into the charred remains of the third victim, disgraced detective Washington Poe is brought back from suspension and into an investigation he wants no part of. Reluctantly partnered with the brilliant but sociall...(展开全部)

Alexandra Fuller was the daughter of white settlers in 1970s war-torn Rhodesia. Don't Let's Go to the Dogs Tonight is a memoir of that time, when a schoolgirl was as likely to carry a shotgun as a satchel. Fuller tells a story of civil war; of a quixotic battle against nature and loss; and of her family's unbreakable bond with a continent which came to define, shape, scar and h...(展开全部)

With an introduction by Anne Enright Shortlisted for the Guardian First Book award, a story of civil war and a family's unbreakable bond. How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to. As the daughter of white settlers in war-torn 1970s Rhodesia, Alexandra Full...(展开全部)

亚历山德拉·富勒（Alexandra fuller），1969年出生于英格兰，之后随家人搬到罗德西亚（现津巴布韦）。2007年，她于加拿大新斯科舍的阿卡迪亚大学获得了荣誉博士学位。《今夜，不要每况愈下》是富勒的第一部作品，之后她又陆续出版了《猫》《健忘 树下的鸡尾酒时间》《下雨之前离开》等多部作品，并在《纽约客》《国家地理》《纽约时报》《卫报》和《金融时报》等多家媒体发表评论和文章。

Ware's hero is a doughy, middle-aged loser who retreats into fantasies that he is "The Smartest Kid on Earth." The minimal plot involves Jimmy's tragicomic reunion with the father who abandoned him in childhood. In abruptly juxtaposed flashbacks, Ware depicts previous generations of Corrigan males, revealing how their similar histories of rejection and abandonment culminated in...(展开全部)

This first book from Chicago author Chris Ware is a pleasantly-decorated view at a lonely and emotionally-impaired "everyman" (Jimmy Corrigan, the Smartest Kid on Earth), who is provided, at age 36, the opportunity to meet his father for the first time. An improvisatory romance which gingerly deports itself between 1890's Chicago and 1980's small town Michigan, the reader is he...(展开全部)

This first book from Chicago author Chris Ware is a pleasantly-decorated view at a lonely and emotionally-impaired "everyman" (Jimmy Corrigan, the Smartest Kid on Earth), who is provided, at age 36, the opportunity to meet his father for the first time. An improvisatory romance which gingerly deports itself between 1890's Chicago and 1980's small town Michigan, the reader is he...(展开全部)

Ware's hero is a doughy, middle-aged loser who retreats into fantasies that he is "The Smartest Kid on Earth." The minimal plot involves Jimmy's tragicomic reunion with the father who abandoned him in childhood. In abruptly juxtaposed flashbacks, Ware depicts previous generations of Corrigan males, revealing how their similar histories of rejection and abandonment culminated in...(展开全部)